Nina Mae Fowler

Drawing on source material including film stills, documentary footage, historical paparazzi and entertainment photography, Fowler’s investigation of the interplay between tragedy and beauty emerges from intricate archival research. Her drawings are weighted by tensions surrounding ridicule, self-sabotage, compulsion, victimisation, emotional and physical vulnerability, exploitation, excess and abuse, played out in complex ways through the prism of the camera lens and cinema screen. Fowler’s work maintains a special ability to reverse the gaze from her subjects to her audience; the act of looking is shifted into a sometimes discomforting reflection on the frenzied voyeurism that is accountable for the cannibalistic consumption of the stars depicted. Ambiguity is bodied forth in subtle fluctuations between mesmerising material finesse and the dark undercurrents of her subject matter. Cassie Beadle, Curator at Cob Gallery, London.

In 2019, Fowler was awarded a major commission for The National Portrait Gallery. Entitled Luminary Drawings, the series comprises nine portraits of leading British Film Directors - including Sam Mendes, Ken Loach, Nick Park and Sally Potter - which now form part of the museum’s permanent collection. Since her nomination for the BP Portrait Prize in 2008, Fowler’s work has won widespread acclaim. It is featured in numerous collections of international significance and in 2015 a monograph of her work entitled Measuring Elvis was published by Cob Gallery, London. The book features commentaries from an array of cultural luminaries including the curator Sandy Nairne and the playwright Polly Stenham. Her most recent publication Ruined Finery (Cob Gallery 2020) catalogues Fowler’s drawing and sculpture practice from 2015-2020 alongside contributions from writers Alissa Bennett and Dame Marina Warner.

Nina Mae Fowler (b.1981) has been shortlisted for numerous prestigious prizes and awards, including the Jerwood Drawing Prize (2015 & 2010), Aesthetica Art Prize (2014), Drawing Now Award (2014), Young Masters Prize (2012) and the BP Portrait Award (2008). Past commissions have included portraits of evolutionary biologist Professor Richard Dawkins and biographer Dame Hermione Lee. In 2024 Fowler’s posthumous portrait of Zimbabwean writer, Dambudzo Marechera, was commissioned by Balliol College Oxford, representing the first portrait of a person of colour to be hung in the main hall since the college was founded over 700 years ago.

Her works have been exhibited internationally, including frequent solo exhibitions in London, Paris, Berlin and Leipzig, and are held in public collections including Oxford University and The National Portrait Gallery, London. In 2018, David Lynch’s establishment Silencio in Paris held a retrospective of Fowler’s work. She is included in private collections throughout Europe, the US, the Middle East and Asia. International film, art, music and fashion luminaries such as Sir Ridley Scott, Jude Law and Caroline Issa are amongst her collectors.

Most recently in 2024, Fowler was commissioned to make a series of drawings, site specific to the historic Beaumont Hotel in Maastricht. The series entitled, Sleeping Beauties, will be the subject of a new publication to be launched in February 2025 with a forwarding text by film historian Caroline Cassin.

Fowler is represented by:
Cob (London),
Suzanne Tarasieve (Paris)

Kalkman Gallery (Maastricht)

Photo ©Tom Barrett